Lucy MacNeil, the only girl in a family of five boys, may be described as the heart of The Barra MacNeils. Her crystalline vocals are immediately identifiable with the group’s sound. For Lucy, music has always had a heartbeat and she recalls it as the centre of her childhood home where family, neighbours and visiting musicians were often known to gather—the rhythm of everyone’s feet tapping with the music would lull her to sleep on many nights. Lucy’s own musical journey officially began when she was 9 years old, but even before that she was step dancing alongside her mother, a well-known local dancer and teacher. Her career with The Barra MacNeils has seen her opening tours for international stars such as Celine Dion, Kenny Rogers and Rita MacNeil.
Tag Archives | Vocals
Dry Bones is the perfect combination of contemporary songwriting highly influenced both by traditional music and by the great songwriters of earlier times. In some ways it’s like new wine in an old bottle, you can taste the freshness but the ghosts of time past weave their haunting melodic strands throughout the music. Nathan Rogers, Leonard Podolak (the Duhks) and J.D. Edwards are all very experienced players and composers who individually have cut their own wide swath within the folk world. Together they form an imposing musical troika not to be trifled with; they are the young giants who will lead others towards the future.
Lisa Cameron was raised among a musical family in Margaree Forks. Since the 2004 release of her album End Of Blue (produced by J.P. Cormier), Lisa has been no stranger to stages across Nova Scotia. She has been featured on CBC Radio, the 2005 ECMA stage, and the 2005 compilation Lullabies of Our Cape Breton which won a 2006 ECMA for Best Children’s Recording. For the past couple of years, Lisa has been playing local venues and writing with a small group of Cape Breton songwriters. She released her second record in the winter of 2009.
Mary Jane Lamond fell in love with the Scottish Gaelic traditions and song during visits with her grandparents on Cape Breton Island. While enrolled in St. F.X. University’s Celtic Studies program, Mary Jane released her first album, Bho Thir Nan Craobh, a collection of traditional material. She has dedicated her musical career to the preservation of Scottish Gaelic songs, leading to numerous award nominations, critical acclaim, and a worldwide audience for her music. Mary Jane’s five solo recordings create a respectful and beautiful framework for ancient Gaelic songs and her spell-binding performances make these selections truly come alive. Mary Jane’s critically acclaimed release “Seinn” is a partnership with long time musical collaborator, Wendy MacIsaac.
Some say he was born into it, some that he was born with it, while others claim he has earned it. With one foot planted firmly in folk music’s traditional roots and the other reaching into its dynamic future, Nathan Rogers isn’t entirely sure what ‘it’ is; singer, songwriter, guitarist, throat-chanter, percussionist, revivalist, or innovator. Whatever it may be, “Nathan has the ability to turn the folk world on its ears.”
Nuala Kennedy is an Irish singer and flute player with hauntingly beautiful vocals, adventurous instrumentation, and an eclectic mix of influences. Her singing and flute playing springs from the traditional music of Ireland and Scotland, and from the fathomless realms of her own imagination. A consummate performer with a buoyant personality, her music has been described as unique, evocative, and soul-satisfying. Nuala grew up in Dundalk, Co. Louth, on the East coast of Ireland, a musical area steeped in mythology with long historical links to Scotland. The combination of the best influences of the two cultures, Scottish and Irish, is what has made Nuala the artist she is today.
The Men of the Deeps is a choir of working and retired coal miners from Cape Breton Island, organized in 1966 as part of Cape Breton’s contribution to Canada’s Centennial Year. The Men of the Deeps have released nine albums, been the subject of two NFB films and one book, toured around the world and frequently been featured on TV and radio. Today the Men of the Deeps are more than a singing group – it is a social institution. There is a camaraderie amongst the members of the group that carries over to their audiences wherever they perform.
The Modern Grass is a collective of musicians who all have some obsession with days gone by, contrasted with a vision for the future. Born in early 2011 in Halifax, they have since released five albums and toured the nation extensively and relentlessly. The group’s latest award-winning album, High on the Mountain, explores new territory in folk, roots, and bluegrass music. It shares forms and ideas from musical styles of the past, and tells the stories of a modern day troubador.